In a series of paintings that mix the old and the new, the profound and the mundane, the Guangzhou-based artist navigates the changing faces of everyday life in China
Golden opened the floodgates for a generation of Black artists to just be themselves. Now, ahead of the Studio Museum’s reopening, the director speaks about shouldering the weight
The fraught US Pavilion reveals what has been true for some time, if not forever: the artworld is heavily politicised, though until recently almost always in ways that have suited liberal agendas
To celebrate the opening of Singapore’s newest experimental art-and-tech platform, ArtReview spotlights 'Your view matter' (2022/2025) by Olafur Eliasson
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
